AOK // KUE SHEET
VIEW: PENDING
STANDBY
AOK // KUE SHEET
Show-calling, on cue
or
Accounts are saved locally on this device only — this is a front-end demo, not secure cloud sign-in.

SET UP

Get the show ready before you call it

1 · Client Programme

Upload the programme (PDF, Word, Excel or image) or paste it below, then review what we capture — Dates, Times and Programme titles — and tick which rows go onto the Kue Sheet. Excel, CSV & pasted text are read automatically; PDF, Word & images attach by name, so paste their text in to capture it (full PDF/image reading comes with the cloud step).

2 · Kue Sheet

The basics for this show. Each day becomes a tab on the sheet; the start & end time drive the Show Clock.

Current Kue

How the live cue stands out while you call the show. The example shows cue 3 live.

Example

3 · Speakers, Mics & Clickers

Who's miked, what they're on, their clicker (Slide, Notes, Both or None), and whether they're presenting.

SpeakerMic typeMic #ClickerPres?

Mic key:  HS — Headset  ·  HH — Handheld  ·  LPL — Lapel / Clip  ·  Other — any other mic (e.g. instruments)  — column mapping lives in Settings → Speakers & Mics.

Kit on hand

How many mics & clickers you actually have, so you can see at a glance if there's enough to rotate between speakers or keep spares.

4 · View Your Kue Sheet

Each crew role gets its own Kue Sheet with just the columns they need; the Showcaller sees everything and drives the calling. Give each a name & email so they can open and control their own view. View opens the full sheet to share with a client to follow live. Type is always shown; tick the rest.

View = the full sheet, read-along for clients.
Saves this Kue Sheet (name it in section 2) to this device. Re-open it from 📁 Saved Kue Sheets.

📶 OFFLINE

Internet's gone, but you're still good. Working: editing, the clock & timers, space-bar calling, and PDF & Excel export.

Just don't refresh or close this tab — nothing's saved yet, so that would wipe the show.
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Just to let you know

Beating a hard out

A hard out is the wall that won't move — venue curfew, union overtime, catering, or your stream window. You don't beat it in the last twenty minutes; you beat it by watching the right number early. Raw drift ("we're 9 over") isn't actionable. Where you'll land is.

THE THREE READOUTS
Hard Out — the time you can't run past. You set it once.
Projected Finish — where you'll land if nothing changes. It's your planned End time plus however far over/under you are right now.
Margin — Hard Out minus Projected Finish. A negative number means you're landing late.
Recovery Runway — the soft minutes still ahead (breaks, Q&A, buffer). This is how much you can claw back without cutting anything important.
THE CALL — WHAT THE COLOURS MEAN
BANKEDProjected to finish early — you've got minutes in hand. Let a strong Q&A breathe, or hold for applause.
RECOVERABLERunway is bigger than the slip — quietly trim the back half, leave the important stuff alone. No need to tell anyone yet.
ESCALATERunway can't cover the slip — soft cuts won't do it. Make a real decision now (shorten a fixed segment, or ask a presenter to land early) while there's still time to warn people.
FIXED vs FLEX

You tag each row once. Flex = breaks, Q&A, networking, buffer VTs — your recovery budget. Fixed = keynote, sponsor read, anything the client will notice is gone — protected. The clock adds up the Flex still ahead of you, and that sum is your runway.

THE GOLDEN RULE

Early and distributed beats late and surgical. Twelve minutes shaved a little at a time across the back half is invisible. The same twelve minutes cut as one whole segment is an amputation the room sees. Don't wait for the slip to be obvious.